In his work “One must imagine Sisyphus happy” Radostin Sedevchev continues to examine such global topics as the boundaries of life and death, unique subjective concepts of the world and the way social self-determination of the individual is realized through the prism of time.

Irina Batkova

The Zeitnot* project examines 11 meeting minutes from 1982 sessions of the Club of Cultural Figures, Veliko Tarnovo. The minutes reveal the structure and way of work of the Club. 

In our world of today history is being actively reformulated and yet Radostin Sedevchev manages to avoid the time-traps of retelling the story as well as being judgmental about the past. He is creating his own concept for post-memory at the point where art, history, sociology, anthropology and philosophy intersect.
 
Iara Boubnova

The memento is the scars, cuts and bruises. You could ask yourself why it seems so familiar? It seems we are tricked to think that our photographic memory has an immune system disorder. Particularly in this line of thought, we are left with something neither eternal nor transient; a perverted sense of self carried through a retinal detAchment.

Lars Nordby

Money is a peculiar human invention – as imaginary in its value and in the same time in avoidantly chaining us to reality. Money, however much we do not want to recognize it, is everything – the basic building blocks and measure of virtually everything our body (and not rarely our soul) needs in order to live.

Stefka Tsaneva

“In Radostin Sedevchev’s new project “Present Absence” the viewer is made to witness a kind of permanent yet rarely observed events truly meriting the definition – “the circle of life”.

Iara Boubnova

“… unknown people, engaged in various trivial everyday activities, which Radostin Sedevchev reveals to the audience as seen through his own eyes. The major story and the important, common-scale re-reading of the past is absent… Instead, the artist engages in the the continuous scrutiny of the minor and insignificant, which everyone can understand and interpret on their own.” 

Vladiya Mihaylova